10 home design ideas by Alberto Pinto (10)

10 home design ideas by Alberto Pinto

This time Home Design Ideas is going to show you some inspirations by the French interior designer Alberto Pinto. He has his own home collection, complete with furniture, tableware, table linen, and home accessories. Alberto Pinto was born in Casablanca to Argentine parents and was surrounded with diverse cultures. A little boy attended “Ecole de Louvre” in Paris and then moved to New York. After having attended the “Ecole de Louvre” in Paris, he created a photography agency in New York (USA) specializing in decoration and interior design. uring these shoots in Mexico, England, Italie or India that he acquired his taste for design, the sense of volumes and the game of colors. All these elements become decisive for the rest of his career.

SEE ALSO: HOME DESIGN IDEAS BY ANTONIO CITTERIO

10 home design ideas by Alberto Pinto (10)

 

This focus on design led Pinto to take up interior design almost four decades ago. The 17th century private residence at the Place des Victoires in Paris was the home of Pinto’s interior design and decoration agency. The agency consists of 60 people who work on the design of large scale and atypical places, such as private residences, corporations, hotels, yachts, and private jets. Notable projects include the Oceanco’s Yacht Y708and the Seaside Hotel Palm Beach, in Maspalomas.

Background & Realizations

Alberto Pinto borrowed a lot from various cultural influences since his earliest childhood.
As an inescapable actor of interior design, he has built his works on the interbreeding and mixture of genders from more than baroque to less than bare. Refusing to conceive narrow and closed universes, he naturally oriented himself towards “big projects”. Used to rising to challenges which would scare others away, he particularly appreciated being given gigantic spaces in which he put together styles and very different periods in an always perfect harmony

The Most Iconic Projects

The projects that came out of his 70-person Paris office were often swashbucklingly dynamic, replete with overscale patterns, bold color schemes, and sumptuous appointments that found favor with Middle Eastern royals and international captains of industry. A study in Cairo was paneled with wood inlaid à la parquet de Versailles, while a Geneva dining room’s Louis XVI scheme seemed to await the arrival of Marie Antoinette.